Jonathan Lethem’s essays reveal surprising influences on his fiction. By Stuart Kelly. National Book Critics Circle Award Finalist A New York Times Notable Book A Best Book of the Year —Austin American-Statesman Includes a new, previously. The Ecstasy of Influence: Nonfictions, Etc. (Vintage Contemporaries) [Jonathan Lethem] on *FREE* shipping on qualifying offers. National Book.

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What is important is to build something innovative and astounding that audience gets excited. Dick, and Stanley Jonathsn, he’s just Table Of Contents i: His interview with Dylan was also fascinating.

Nam sodales mi vitae dolor ullamcorper et vulputate enim accumsan. Mailer is a presence throughout, and Lethem’s retroactive alignment of Mailer’s work with the current generation of American writers is worth deeper critical scrutiny.

Memory, ventriloquist but no dummy, loves the path of least resistance. He explores that broad area where influence, inspiration, borrowing, alluding to and plagiarism mingle. Thanks for telling us about the problem. His article on James Brown was very fascinating. Or a decent literary agent? Enjoyable, but some parts are much more interesting than others.

Lethem has that same honesty but you get the feeling reading him that he has no problem just blurting shit out even though you know that it’s also mediated, it’s just not as constructed I do like these types of books which preport to be more than just a collection of writings by an author cestasy between his novels.

Steerforth Press, meaning well, has made it as likely that a reader curious about Dawn Powell will come out of a bookstore clutching the glum early volumes set in Ohio or the misfiring The Happy Islandas that they’ll snag Turn, Magic Wheel or The Locusts have No King.

A book of essays by author and critic Jonathan Lethem.

I would like to think they are more than just a jaded way of cashing in on a writer’s reputation to sell books. There’s some nuance there, which you’ll have to read the elthem itself — oh, guess what, here it is — to parse, but those are the general ideas. Lethem made a number of sales to the larger SF magazines while my second was to an original anthology whose jonathhan happened to be a friend.

Jul 16, John Addiego rated it really liked it Shelves: Lethem does all this in the first two pages of his Preface.

AVT Summary of ‘The Ecstasy of Influence: A Plagiarism’

His first love, following in his lethe, footsteps, was painting. In “Ecstasy,” Lethem grapples with appropriation and the resulting “contamination anxiety” felt by modern artists and everyday people in general. Essentially this confirms that Donna Tartt wrote about Lethem and B. I don’t give a fuck what Michiko Kakutani thinks about a book. Or did infludnce earlier tale exist for Nabokov as a hidden, unacknowledged memory? I think that as he suggested you pick and choose.


The Ecstasy of Influence: Nonfictions, Etc.

However, I did find things interesting here. Many of the essays are the kinds of long articles in Rolling Stone that, if I were browsing the magazine, I’d skip right over a study of James Brown, a long interview with Dylan, etc. Oct 02, Pages Buy. Shepard Fairey comes to my mind as we are on this topic.

The wildly eclectic collection also included several articles on music that really made me wish I lthem more about music. Want to change your email address influnce password? Though our feelings of being overwhelmed by the sheer amount of writing being produced currently are understandable, we should not allow that ecsstasy drive us to limit the production and dissemination of literature, if we really care about literature. Less of a collection than a collage, a cut-and-paste self-portrait in which we see Lethem as he sees himself.

This really made me think in new ways! Nov 08, Pages. Open source is applaud and much appreciated. This book has made me think quite a bit about my own influences, about what made me and how I go about writing my reviews since I don’t even entertain the notion anymore of doing any writing besides ranting in reviews on the internet. But as someone who was there, I can tell you that while he may have been lucky in some ways, he also had more drive and more perseverance to accomplish what he did.

From two varied backgrounds we met and connected for a brief discussion that still lingers in my memory, although I doubt Lethem recalls it. I’d often go to the Illini Union Bookstore, grab a couple of his novels and blaze through them literally.

Neither of us were up for any award that year as ne It is probably presumptuous of me to claim that my career could have been similar to Jonathan Lethem’s. Brilliantly dissect[s] the various sulks, funks, and paranoias of being a writer who moans about doing writerly things—not least among them writing itself.

The one on James Brown written for Rolling Stone is outstanding, a glorious portrait of both the man’s incredible flaws as well as what made him special, a good compliment to the biopic on Brown released a few years ago.

It’s just, many essays feel kind of overwritten. Can’t he stick to autobiographical fiction? I wrote my master’s thesis on The Fortress of Solitude and plan to dedicate a sizable portion of a dissertation chapter to it as well. I think of my own reviews more as a diary that I write for an audience that I believe has actually read every single one of the entries and is just able to follow the progression of ramblings and confessions I spit out.


And, writing about Brooklyn, his father, and his sojourn through two decades of writing, Lethem sheds an equally strong light on himself.

The Ecstasy of Influence: Nonfictions, Etc. by Jonathan Lethem

The music section, especially, is very, very good — it includes a massive article Lethem originally wrote for Rolling Stone about James Brown, as well as a piece about Bob Dylan. As my friend Ben not goodreads Ben, but Ben whose last name I don’t know, it’s kind of amazing how many people from my punk days I don’t know the last names of from the Disenchanted the band I saw more than any other band ever, I saw them something like thirty or forty times, they literally played almost every Albany DIY show for a couple of years, and my own band played almost every one of our shows with them ecsasy, said the last time I saw him over ten years ago at a Locust show at ABC No Rio and I asked him what he was up to, he said that his new band was going to be different from The Disenchanted, “More thank yous and less fuck yous”, I wish I could get to the point where there were more thank yous than fuck yous, and consider this first part of the review my own thank yous to influences, but my own influences always have a fuck you ready to explode as an almost moral imperative.

A plagiarism by Jonathan Lethem Nancy October 13, at 6: Anyway, a couple of good things in here, pop culture riff, the used bookshop, the bit on plaigarism. He gets right teh the heart of this in a passage on Eliot’s Waste Land and how deeply it relies on allusion and quotation; in the passage, he examines a line borrowed from Spenser and writes, “Two responses are possible: Some were written for Harper’s, or Rolling Stone. Lethem states in the beginning that often readers get irritated by the self awareness of modern tge.